Colour Symbolism in Giotto’s Arena Chapel
Sensory impressions derived from bright colours drew the onlooker from the material to the immaterial, bringing the divine into human life.
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Artful Musings
about Renaissance Art and Digital Art, alone and together
Tim Burton meets Raphael in the Darkness (and the Light)
His suburbia is a blinding pure-colour utopia, brightened with white – unnaturally - without shadow or stain.
147
Leonardo's Sfumato
Leonardo once wrote that ‘light and shade should blend without lines or borders in the manner of smoke’.
526
Raphael's Unione
Raphael sought to achieve soft shadows and tonal unity, without sacrificing bellezza di colore, or brilliant colour.
1,204
Michelangelo's Cangiantismo
The overall effect of Cangiantismo is slightly dreamy, and an appropriate environment for non-threatening monsters.
2,092
Cennini and the SuperBrights
Cennini created a comprehensive manual, explaining challenges such as ‘How to paint a dead man' and How to paint water'.
385
Modes of Renaissance Colour
Colour today, as in Renaissance Italy, artfully fuels an essential escape to alternative states of mind.
1,753
Colour Symbolism in Giotto’s Arena Chapel
Sensory impressions derived from bright colours drew the onlooker from the material to the immaterial, bringing the divine into human life.
5,418
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